Kent Chan, Solar Orders, 2024, still from film. Courtesy the artist.

Kent Chan, Solar Orders, 2024, still from film. Courtesy the artist.

Exhibition
 

Venue
The Hall, NTU Centre for Contemporary Art Singapore
Gillman Barracks, 6 Lock Road, #01-09
Singapore 108934

Hours
Monday to Sunday
12:30 – 6:30pm

Saturday, 24 January 2026
12:30 – 10:00pm

Closed on Monday 19 January 2026

Opening
Saturday, 17 January 2026
4:00 – 7:00pm

Free Admission

Tours available upon request

 

KENT CHAN
THREE ACTS OF THE SUN

18 January - 1 February 2026

NTU Centre for Contemporary Art Singapore presents Kent Chan. Three Acts of the Sunthe first solo exhibition for the Amsterdam-based artist in his home country since 2019. The exhibition captures a significant chapter of Chan’s artistic trajectory, focusing on the growing entanglement of the artist’s tropical imaginaries with the escalation of the climate crisis in recent years. Featuring a newly commissioned film, performance, and print series alongside a selection of recent works, Three Acts of the Sun gathers speculative visions on the future of our planet. 

Global warming is a planetary process whose compounding complexity engenders far-reaching and profoundly interdependent consequences across ecology and society, economy and culture, politics and emotions. The exhibition charts the tension between the reality of a planet increasingly dominated by heat and Chan’s desire to imagine the tropics in the future tense. It is from this vantage point of impending change that the artist looks forward and summons worlds to come. Set in unspecified futures, the artworks included in Three Acts of the Sun envision scenarios of advanced global warming where the climate demarcations of today have dissolved into a sweeping “tropicalisation” of the Earth. Framing this climatic shift through the prism of the embodied human experience, Chan’s narratives speculate over environmental migrations, the burden of intergenerational injustice, and the hubris of technological mastery of the weather, all haunted by memories of lost climates. The exhibition serves as a portal into the speculative climate futures conjured by the artist, transporting the public into possible worlds ahead where the tales and the songs of our descendants reveal stories of human life as it unfolds on a heated planet.

The centrepiece of the exhibition is the new moving-image work, Weather Casting. Conflating prediction and actualisation, weather lore and techno-agency, divination and doom, the film builds upon the evolution of human relations to the weather from a history of reverence, adaptation, and survival towards one of technologically-empowered intervention addressing our rising ambitions for an engineerable Earth. Weather Casting delves in radical shift from forecasting the weather to casting weather into reality through geoengineering, large-scale interventions in the Earth’s climate system. A series of fictional news presenters report on geoengineered weather along the route of the Asian-Pacific monsoon—one of the largest weather systems in the world—that connects Southeast and East Asia as the two lobes of the same planetary engine. In this speculative era of ‘Tropics_Domain’, the technological mastery of the weather is enacted by AI-driven systems, that are named after ancient local deities once believed to preside over the elements and natural harmony. Programmed to clear the clouds, harness the winds, and rule over rainfall in service of human needs, these “deities” ultimately give voice to geopolitical antagonisms, environmental disruptions, and existential crises. 

For this presentation, the exhibition space—situated on the verge of a secondary tropical rainforest—will relinquish its climate control, allowing Singapore’s heat and humidity to become atmospheric contributors to the exhibition. Through the deliberate immersion of the artworks in the tropical temperature they are informed by, viewers are brought to experience the core concerns of this project not just visually, sonically, and intellectually, but in the flesh of their bodies. 

Three Acts of the Sun contributes to NTU CCA Singapore’s Climates.Habitats.Environments., a long-term line of inquiry aimed at a holistic understanding of this vital triangulation. Initiated in 2017, Climates.Habitats.Environments. focuses on environmentally engaged artistic practices and interdisciplinary collaborations to foster critical thinking and public awareness about the ecological complexities and the escalating climate crisis of our time. 

Kent Chan. Three Acts of the Sun is curated by Dr Anna Lovecchio, Curator, NTU CCA Singapore and is part of Singapore Art Week 2026

Part of

Supported by 


OPENING
Saturday, 17 January 2026

Guest of Honour
H.E. Anneke Adema
Ambassador of the Kingdom of the Netherlands to Singapore

Opening remarks
4:00pm

Kent Chan, Casting Weather (performance)
4:30 – 4:50pm

Opening reception
Light refreshments will be served
5:00 – 7:00pm

PROGRAMMES
Saturday, 24 January 2026

Kent Chan, Solar Orders (performance)
in collaboration with Zai Tang
5:30 – 7:00pm

Due to limited capacity, audiences will be accommodated on a first-come basis.

 

 

 

 

 

Contributors
Kent Chan
Kent Chan
Artist
Singapore, Netherlands

Kent Chan (b. 1984, Singapore) is an artist, curator, and filmmaker based in The Netherlands. His practice revolves around our encounters with art, fiction and cinema that form a triumvirate of practices porous in form, content and context. He holds particular interest in the tropical imaginary, the past and future relationships between heat and art, and contestations to the legacies of modernity. His works have taken the form of moving-image, text, performances, and exhibitions.

He has held solo and two-person presentations at Gasworks (London, United Kingdom, 2023), Kunstinstituut Melly (Rotterdam, Netherlands, 2021), de Appel (Amsterdam, Netherlands, 2021), Bonnefanten museum (Maastricht, Netherlands, 2020), and National University Singapore Museum (2019). His works and films have been exhibited in institutions and festivals including Liverpool Biennial (United Kingdom, 2023), Seoul Mediacity Biennale (South Korea, 2023), Videobrasil (São Paulo, Brazil, 2023), Tate Modern (London, United Kingdom, 2022), Onassis Stegi (Athens, Greece, 2022), International Film Festival Rotterdam (Netherlands, 2022), Times Museum (Guangdong, China, 2021), BIENALSUR (Buenos Aires, Argentina, 2021) and EYE Filmmuseum (Amsterdam, Netherlands, 2016). He is the recipient of the Paulo Cunha e Silva Award and Impart Art Prize (both 2023), and of the Foundwork Artist Prize (2021). His works are collected by institutions such as the Galerie für Zeitgenössische Kunst Leipzig, Kadist Foundation, Rijkscollectie, and Bonnefanten Museum. He was Artist-in-Residence at MMCA Residency Changdong (Seoul, South Korea, 2025), Art Explora (Paris, France, 2024), Pivô Arte e Pesquisa (São Paulo, Brazil, 2024), Gasworks (London, United Kingdom, 2022), Jan van Eyck Academie (Maastricht, Netherlands, 2019) and NTU Centre for Contemporary Art Singapore (2017-18).

Anna Lovecchio
Anna Lovecchio
Curator, Staff
Singapore

Dr Anna Lovecchio (Italy/Singapore) is a curator committed to foster the processes of artistic research and create platforms for the production and circulation of knowledge, critical discourse, and interdisciplinary collaborations. Since 2016, she works at the NTU CCA Singapore where she has developed a broad range of programmes, including residencies, exhibitions, publications, and a podcast. Previously, she was Junior Curator at Villa Croce Museum of Contemporary Art in Genoa, Italy where she has worked on exhibitions by Tomás Saraceno, Tony Conrad, Susan Philipsz, Pino Pascali, Julieta Aranda, and Zhang Enli, amongst others. She was Executive Editor of the art journal Around Photography International from 2007 to 2008. She holds a PhD in the history of contemporary art from the University of Bologna, Italy, and an MA in Contemporary Art and Museum Studies from Tufts University, Boston, United States.